Thursday, October 1, 2015


A Youtube viewer asked for the backing track to this video:

So, here's the backing track:


The chords go like this:

| C | Am | Fm | G | (repeat)

and then the bridge goes:

| F | F | Fm | Fm |
| C | C | C7 | C7 |
| F | F | Fm | Fm |
| G | Bb | G | G7 |

Monday, December 8, 2014


I'm looking forward to playing some contests in the coming year.  I want to play a couple of old arrangements and a couple of new arrangements, so I've been writing a little.  The four tunes I'm looking at are Red Haired Boy (which I've done before), Liberty (which I've also done before, but haven't actually played in a contest), Bonaparte Crossing the Rhine (new to me), and maybe Leather Britches (also new to me).

It seems like the two usual problems I have with contest playing are: 1) Not starting early enough, and 2) Nerves.

My plan is to write and practice long before contest season actually starts, and to play out as much as possible with the tunes I'm going to use.  I spent some time working out a practice schedule for myself, which I've already fallen behind.  It includes a little writing, a little working on tracks and youtubes for this blog, and a little focused practice on my contest tunes each day.

The practice routine looks like this:

1.  Play rhythm along with some of the tracks on this blog to warm up the wrist.  Various tempos, starting at very comfortable and working up to brisk.  5 minutes or so.

2.  John Moore exercises (link here) for 5 minutes or so.  Starting relatively slow, about 110-140 bpm.  Hopefully dials in pick accuracy.

3.  Play one section of a contest tune about 10 times.  By one section, I mean A part and repeat, B part and repeat.  Slowly at the beginning of the week and speed up as the week goes on.

4. Review last week's focus area at a comfortable tempo.

5.  Write a couple of bars on the new tunes.

6.  Write a couple of bars on whatever tune I'm working on for this blog.

7.  Record a couple of rhythm tracks for this blog.  Just finished up rhythm tracks for Nine Pound Hammer, I should be posting those soon.

I do all of this (except for the writing) to a metronome or rhythm track.  On the days I'm not at work, I'll try to fit in some time to just play along with tracks or go to a jam to slowly build my overall picking speed and comfort.

What am I missing?  What do you guys do to get ready for a performance?

Tuesday, April 1, 2014

Jerusalem Ridge

Lots of people consider this tune to be Bill Monroe's magnum opus.  It's a difficult one, especially because it has several crooked parts in it.  It helps to listen to it a while before you try to play it.  The definitive version is probably on the album "Kenny Baker Plays Bill Monroe" (with a nice, more banjo-centric, arrangement on the tribute album "Noam Pikelny Plays Kenny Baker Plays Bill Monroe"), and another great version is on the excellent Tony Rice Unit record "Unit of Measure".

It's in the key of A minor, and the chords lay out like this (the measure in parentheses are 2/4 measures):

||: Am | Am | Am | E | Am | Am | Am | E Am :||                      A part
||: Am | Am | Am | Am E | Am | Am | Am | E Am :|| (Am)       B part
| Am | D | C E | Am | Am | D | C G | Am |                             C part
||: Am | Am | C | C | Am | Am | Am | E Am | Am | C |(E)| Am | Am :||   D part

Notice that there is no repeat on the C part, just once through.  Also, at the end of the B part, there's an extra 2/4 measure (2 beats) of Am where the melody note rings a little longer.

Here's a guitar tab I wrote for the tune in the lower register:  Jerusalem Ridge guitar tab
Still working on an upper register arrangement.

And some Youtubes:

Sunday, January 5, 2014

Wildwood Flower

I understand that this is the very first flatpicking tune than many learn.  It's a beautiful tune, and I love playing it.  It was popularized (at least in the modern recorded era) by the Carter family, and covered by just scads of bluegrass folks.  One of my favorite versions to listen to is on the Tony Rice & David Grisman album "Tone Poems".

Wildwood Flower 150 bpm
Wildwood Flower 160 bpm
Wildwood Flower 170 bpm
Wildwood Flower 180 bpm
Wildwood Flower 185 bpm
Wildwood Flower 190 bpm
Wildwood Flower 195 bpm
Wildwood Flower 200 bpm
Wildwood Flower 205 bpm
Wildwood Flower 210 bpm
Wildwood Flower 215 bpm
Wildwood Flower 220 bpm
Wildwood Flower 225 bpm
Wildwood Flower 230 bpm
And a zip file of all tempos (25.7 MB)

The chords are a bit harder than most fiddle tunes, because of some "bluegrass measures" in the song.  They show up as an extra measure at the end of each line.  It helps to listen to this song a while so you can feel the chord changes.

| C | C | G | C | C |   (notice, 5 measures)
| C | C | G | C | C |
| C | C | F | C |         (no 5th measure this time!)
| C | C | G |C | C |

For guitar--Mike Stangeland & Kim Davis, Brad Davis
For mandolin


My take on guitar & mando

The Carter Family